Poetry in the Moment: Spring, Summer, Autumn, Winter… Spring: A Haiku Sequence

Friday, June 4, 2010

Spring, Summer, Autumn, Winter… Spring: A Haiku Sequence

just one petal
floating off the cherry tree...
moonlight

pinot noir
from my mouth to hers
summer grass

autumn dusk --
little twigs interlaced
in all directions

the begging bowl
accepts falling snow
wooden sky

June, 2010 issue of Taj Mahal Review

Ripples from a Splash

My book is now available through www.lulu.com [Liu's] haiku resonates the Asian spirit, and makes use of aesthetics in a continuum of time that is permanent and impermanent; the process more important than the subjective specificity of object bias found in most Anglo-Western haiku like poems. His poetry demand to be interpreted by the informed reader. They do not tell all, are not based on an “aha” moment, and have no definitive ending. More importantly they give meaning and voice to the unsaid, the magic inherent in Japanese poetry. -- Poetry Review by Robert D. Wilson, Editor-in-chief of Simply Haiku.

Poetry in the Moment

Chen-ou Liu's Translation Project: First English-Chinese Haiku and Tanka Blog

Friday, June 4, 2010

Spring, Summer, Autumn, Winter… Spring: A Haiku Sequence

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Selected Works of Chen-ou Liu

About the Poet

Broken/Breaking English: Selected Short Poems

Following the Moon to the Maple Land

Ripples from a Splash

A New Resonance 7

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