Poetry in the Moment: Spring, Summer, Autumn, Winter … and Spring: A Haiku Sequence

Thursday, March 3, 2011

Spring, Summer, Autumn, Winter … and Spring: A Haiku Sequence

hare moon
a snake slithers
into tall grass

around and around
the pomegranate trees
a boy chases a girl

a maple leaf
zig-zags to the sidewalk
cicada's cries

snowfall...
yesterday 15 inches
today 3

Jan/Feb 2011 issue of Sketchbook

Ripples from a Splash

My book is now available through www.lulu.com [Liu's] haiku resonates the Asian spirit, and makes use of aesthetics in a continuum of time that is permanent and impermanent; the process more important than the subjective specificity of object bias found in most Anglo-Western haiku like poems. His poetry demand to be interpreted by the informed reader. They do not tell all, are not based on an “aha” moment, and have no definitive ending. More importantly they give meaning and voice to the unsaid, the magic inherent in Japanese poetry. -- Poetry Review by Robert D. Wilson, Editor-in-chief of Simply Haiku.

Poetry in the Moment

Chen-ou Liu's Translation Project: First English-Chinese Haiku and Tanka Blog

Thursday, March 3, 2011

Spring, Summer, Autumn, Winter … and Spring: A Haiku Sequence

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Selected Works of Chen-ou Liu

About the Poet

Broken/Breaking English: Selected Short Poems

Following the Moon to the Maple Land

Ripples from a Splash

A New Resonance 7

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