Poetry in the Moment: Politics/Poetics of Re-Homing, XXXIV

Saturday, August 24, 2013

Politics/Poetics of Re-Homing, XXXIV

the 34th tanka in the sequence about diasporic experiences

using few words
I carve the long face
of my critic
with bleeding eyes...
this Good Friday night

Atlas Poetica, 15, 2013

Ripples from a Splash

My book is now available through www.lulu.com [Liu's] haiku resonates the Asian spirit, and makes use of aesthetics in a continuum of time that is permanent and impermanent; the process more important than the subjective specificity of object bias found in most Anglo-Western haiku like poems. His poetry demand to be interpreted by the informed reader. They do not tell all, are not based on an “aha” moment, and have no definitive ending. More importantly they give meaning and voice to the unsaid, the magic inherent in Japanese poetry. -- Poetry Review by Robert D. Wilson, Editor-in-chief of Simply Haiku.

Poetry in the Moment

Chen-ou Liu's Translation Project: First English-Chinese Haiku and Tanka Blog

Saturday, August 24, 2013

Politics/Poetics of Re-Homing, XXXIV

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Selected Works of Chen-ou Liu

About the Poet

Broken/Breaking English: Selected Short Poems

Following the Moon to the Maple Land

Ripples from a Splash

A New Resonance 7

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