Poetry in the Moment: Slave Cemetery Haiku

July heat ...
at the end of the road
a slave cemetery

Frogpond, 42:2, 2019

Ripples from a Splash

My book is now available through www.lulu.com [Liu's] haiku resonates the Asian spirit, and makes use of aesthetics in a continuum of time that is permanent and impermanent; the process more important than the subjective specificity of object bias found in most Anglo-Western haiku like poems. His poetry demand to be interpreted by the informed reader. They do not tell all, are not based on an “aha” moment, and have no definitive ending. More importantly they give meaning and voice to the unsaid, the magic inherent in Japanese poetry. -- Poetry Review by Robert D. Wilson, Editor-in-chief of Simply Haiku.

Poetry in the Moment

Chen-ou Liu's Translation Project: First English-Chinese Haiku and Tanka Blog

Thursday, January 2, 2020

Slave Cemetery Haiku

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Broken/Breaking English: Selected Short Poems

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