Chen-ou Liu's Translation Project: First English-Chinese Haiku and Tanka Blog

Showing posts with label free verse. Show all posts
Showing posts with label free verse. Show all posts

Sunday, March 25, 2012

Following the Moon to the Maple Land

Welcome to Canada.
Name: Chen-ou Liu (phonic);
Country of Birth: R.O.C.;
(Cross out R.O.C. and fill in Taiwan)
Place of Birth; Date of Birth; Sex;
simply more technocratic questions
the Immigration Officer needs to pin down my borders.
He is always looking for shortcuts,
more interested in the roadside signposts
than in the landscapes that have made me.
The line he wants me confined to
is an analytically recognizable category:
landed immigrant. My history is meticulously stamped.
Now, you're legally a landed immigrant.
Take a copy of A Newcomer’s Introduction to Canada. 1

Broken/Breaking English: Selected Short Poems

Note: A Newcomer’s Introduction to Canada was written and issued by Citizenship and Immigration Canada to give new immigrants helpful information for planning ahead, but it is not a detailed guide. For more information, they will be given another book called Welcome to Canada: What You Should Know. It contains specific information on all the practical aspects of living in Canada.

Wednesday, March 21, 2012

Broken/Breaking English: Selected Short Poems, is now available through Lulu .

eBook, 61 Pages, Price: $7.00
A Room of My Own Press, c2012.
ISBN: 978-0-9868947-1-8

Tuesday, December 27, 2011

A Day and Eternity

day carries me through
night takes me beyond
between day and night
I float among words

hope locks me up
angst sets me free
outside hope and angst
I wander through poems


Sketchbook, 6:5, September/October 211

Monday, December 26, 2011

Shadow Kill

Drinking alone by moonlight.
Shadow, I miss us having the time
to talk everything to death

like we used to under the sun.


He says nothing, staring at the moon.
Then I club his head, slit his throat
pull forth the guts, tear the body
into pieces through which I wade.


Sketchbook, 6:5, September/October 2011

Monday, October 10, 2011

Our Story

after Li-Young Lee

late into night
unable to see
in one darkness
of falling snow
I close my eyes
to see another

in a dream
told in a language
in which I'm a guest
I see Li-Young Lee
fold a paper boat
and send it swirling
down the moonlit river
of my memories


Shot Glass Journal, #5, Fall 2011

Saturday, October 8, 2011

Lost in Transition and Translation

Over five years, I've learned
All the English words
An immigrant must know
For the sake of survival.
Later, I bulldozed
Those words to the ground
To make a new one: Home,
A word whose sound and shape
My parents don't recognize.
Now, I start to re-learn 家,
The word my parents
wrote on my palm
The day I left Formosa
For the land of maple leaves
Under the same bright moon.


Shot Glass Journal, #5, Fall 2011

Notes:
1 - 家 is the Chinese word for home.
2 - Formosa, which means "beautiful island" in Portuguese, is the former name of Taiwan.
Link

Monday, September 19, 2011

Two Tales of a Poem

A Taipei key opened
to Ajax twilight.
I pursued my poem
throughout the night.

Rain tapping on the window…

I gaze upon the ellipses
at the end of the poem;
they speak of falling
into spaces untold, unknown,
and strike me with their longing


Finalist in the 2011 Open Ages Poetry Contest;
Anthologized in Fire and Light

Tuesday, August 23, 2011

Day and Night

secrets breathed
punctuate
the blackness of day

gathered in the dark
many poems on a page
made from the scalp
of a lonely night


Sketchbook, 6:3, May/June 2011

Monday, August 22, 2011

As night deepens

ghost of the past
tiptoes cautiously into
the realm of my dreams

he is afraid of stumbling
and becoming
an illegal alien


Sketchbook, 6:3, May/June 2011

Sunday, August 21, 2011

A Drunken Poem

loneliness
grabs me
by the balls
my mind
begins to tremble
a poem
is thrown out
of my shadow


Sketchbook, 6:3, May/June 2011

Saturday, June 25, 2011

La Petite Mort

A short story interspersed with free verse poems and inspired by Krzysztof Kieślowski's A Short Film About Love (Krótki film o miłości 1988)

Monday, February 14, 2005

I AM A SICK MAN … I am a wicked man. A coward. I don’t dare to tell you I like … No … LOVE YOU. Instead, I only watch you through the eyepiece of my telescope. Every night I sleep beside you but wake up alone in my room.

Tuesday, February 15, 2005

As Plato said, “Love is a serious mental disease.” I’ve been afflicted with this disease for six months. I am a sick man.

Thursday, February 17, 2005

Earlier tonight, Mary took me to dinner at the Family Plaza. We sat at a corner table; she took out Joe’s letter and I read it to her. As always, she cried while I read the letter. Unlike me, Joe is lucky to have such a caring mother. I felt guilty that I was in a rush to finish my meal as quickly as possible and return home to watch you. You’re the only one I care for. How could I tell Mary about you? She’s like a mother to me.

Friday, February 18, 2005

I was lucky today. I bought a new telescope which has a telephoto lens. Now, I can zoom in closer on you, watching you closely with my heart and mind.

Saturday, February 19, 2005

Why did you cry? That man did not deserve your love. What does he have? Just a face and a Jaguar. You deserve more than what he can offer you -- a pure heart.

Sunday, February 20, 2005

Around 7pm, I had a heated dispute with Mary, arguing that I couldn’t break my rule to write Joe a letter for her because I needed my fullest attention to study after 7. Yes, I study you with my heart and mind. Surprisingly, Mary scorned me in return, yelling how ungrateful I was. But, I have helped her in writing letters, repairing pipes, dumping garbage, and accompanying her to see her doctors and do grocery shopping on numerous occasions. I am not only her tenant but also her surrogate son, doing almost everything Joe should be doing for her. I just can’t break my rule for her. After 7pm, there is only one thing I should do – study!

Tuesday, February 22, 2005

I zoomed in on you, seeing you moving up and down with slow, circular movements and that man’s hands sliding up from your breasts on to your shoulders and altering your rhythm. I … I couldn’t stand it anymore. I opened my desk, took out a pocket knife, rushed down to the basement parking lot, and found his piercing red Jaguar. I stooped down to plunge the sharp tip of the knife with climactic fierceness into one of tires. It felt good, so I stabbed the others … the second, the third, and then the fourth. Fuck! It felt good.

Thursday, February 25, 2005

Today was my lucky day.

During the office hour, I had the most satisfactory discussion with my American Poetry teacher about Robert Bly’s “leaping poetry,” a poetic form that is rooted in the surrealist tradition. I was literally struck by her insightful comments. Yes, leaping poetry is more than leaping from one image to another. It is first and foremost about images conceived by an animal native to the wild imagination.

After school, on my way home, I accidentally, no … I was DESTINED to encounter you. You are my Calliope. My first leaping poem, Throbbing Agony, is dedicated to you. One day you’ll read it aloud and then put it in that chest where you keep all your treasures.

I must have experienced
la petite mort after Calliope
caressed my secret spots --
enveloped in pleasure
as the grass is wrapped
in dewy green. I am a bard
riding a dragon, flying across time
and space. I can't tell you where --
It is as if I appeared where I am now.

Sunday, February 27, 2005

I had another heated dispute with Mary. I am not her plumber. She could call a plumber to repair her goddammed pipe. I could not break my rule. After 7pm, it’s study time. Period. End of discussion!

Tuesday, March 1, 2005

After reading Throbbing Agony out loud, I became a laughing stock. Almost all of my classmates interpreted my poem as a disguised erotic poem. Some of them touched their private parts as they passed by me. Some female classmates called me Tom Honey in front of me and Tom Horny behind my back. As well, I was slapped in the face by my Poetry teacher’s comment: “Perhaps a pleasant wet dream recalled with the morning light. Such a beautiful sunrise.”
During the class, I tried to explain that although la petite mort, the French expression for "the little death", has been generally used to portray sexual orgasm, it has multi-layered meanings, one of which is the reading pleasure. The late French literary critic Roland Barthes claimed that one should get la petite mort when reading any great literature. But, no one except my poetry study partner, Sarah, paid any attention to my explanation. In her plain look, I saw gentleness and sincerity.

Wednesday, March 2, 2005

Today, my Creative Writing teacher taught us an important novelistic technique -- showing vs. telling. Telling conveys information quickly, and it is used to summarize time periods and events that are not very interesting or important to the story. Showing means creating a scene that dramatizes and draws readers into the story, allowing readers to sink their teeth into it to evoke an experience.
I like his teaching style and enjoy reading course materials. But, right now, my big problem is not showing vs. telling, but WHEN SHOULD I TELL YOU I LOVE YOU.

Thursday, March 3, 2005

After the American Poetry class, Sarah came over to talk with me, merrily saying “I see what you mean with the two parallel uses of la petite mort and the multiple powers of Calliope.” While talking, she looked intensely at me and seemed to look into my soul. At that moment, I found there was an attractive quality about her plain face.

Later this afternoon, I phoned Sarah, asking her a hypothetical question: would a woman accept the love of a physically and financially unfit man? She answered my heart-wrenching question in a Bly-esque manner: “You are looking outward, and that above all you should not do now. There is only one way. Go into yourself." Yes, I can see now. I need to follow my heart and tell you I LOVE YOU.

Sunday, March 6, 2005

You slapped my face, yelling at me, “Are you fucking nuts? How could you do this? You don’t know me, so how can you say you love me? How old are you? Doesn’t your mother tell you how to respect the privacy of other people? You pervert! Come here again and I’m calling the cops!”

Thursday, March 17, 2005

I have avoided talking with Sarah for days. I got into a fist fight with John because he touched his private parts in front of me. Later, I talked back to Mary, shouting at her, “I’m not your plumber, garage dumper, grocery-shopping helper, and God dammed son, Joe.”

Saturday, March 19, 2005

After fighting with that man, you cried for almost an hour. My heart was breaking.

Monday, March 21, 2005

My heart was breaking again.

Tuesday, March 22, 2005

I made peace with Sarah; however, I didn’t tell her what the real reason was that I had been angry with her for weeks. How could I tell her about you?

Wednesday, March 23, 2005

You threw the phone against the wall. Did that man hurt you again?


Saturday, March 26, 2005

That man doesn’t come to your flat as he used to. Did he break up with you? He does not deserve your love. ONLY I can give you what you really need – my heart!

Monday, March 28, 2005

I slipped a poem under your apartment door.

Three weeks apart,
I don't try to remember,
but forgetting is hard.
A lonely apartment thirty meters away.
Tangled thoughts of you,
where can I talk them out?
In a dream tonight,
by the moonlit window
you stood in shadows;
shining tears revealed your face…
Another short day and long night.

Friday, April 1, 2005

I couldn’t believe what I had heard this afternoon. You asked me out on a romantic adventure to Wahata Beach this coming Sunday. This is not an April Fools’ joke! I know that you have discovered the depths of my love for you.

Thursday, April 14, 2005

I got a final notice, which said that I would be flunked if I failed to submit a poem for my make-up mid-term exam. I finished my poem, Calliope and I in Harmonious Rapture, before midnight and emailed it to placate my bitchy teacher.

A choir in the sky,
garden in the sea,
lark in my chest.
An island in our bed,

throbbing agony
caressed by your hand.
Moans and pain
born to your laughter,
raised in your tears.

Time and silence.
Clocks ticking.

Thursday, April 21, 2005

As I passed by John, he gave me a wicked smile and shouted out, “Watch the teeth!” Before I could throw his head against the wall, I was stopped by my teacher. All of my classmates were stunned. Throughout the rest of the day, no one dared to say anything in front of me. Sarah phoned me at night, and I didn’t answer the phone but immersed myself in reading Notes from Underground and The Collector.

Sunday, May 8, 2005

Joe took Mary out to dinner at the Family Plaza and gave her an expensive Mother’s Day gift. I stayed in the room and studied for other mid-term exams. I knew I was on verge of academic dismissal and tried to force myself to care.

Wednesday, March 18, 2005

Clocks ticked,
time did not pass.
The sun rose, then set
in the shadows.
Clocks tick.

Wednesday, June 1, 2005

This afternoon, I was sitting
alone by the window,
looking out at the maple's branches
gracefully swaying in the breeze.
Out of nowhere, I felt
the stab of a memory:
you waving me goodbye.

I balanced
on that memory,
the universe hanging
on the branches.

Thursday, June 16, 2005

Now I am recovered from that sickness and aspire to BE A WRITER. I just emailed my Creative Writing teacher The First Touch of Love as my make-up final exam.

Taj Mahal Review, #19, June 2011

Thursday, June 2, 2011

An Illegal Alien

Give up
your poet dream.
I've been
writing poetry
since you were swimming
in your daddy's balls.
Day dreamer!

My father
never thought
I could swim
across the Pacific,
emigrating
from the ideographic
to the alphabetic.


Shot Glass Journal, #4

Friday, March 18, 2011

Following the moon from Formosa to the Maple Land

Welcome to Canada.
Name: Chen-ou Liu (phonic);
Country of Birth: R.O.C.;
(Cross out R.O.C. and fill in Taiwan)
Place of Birth; Date of Birth; Sex;
simply more technocratic questions
the Immigration Officer needs to pin down my borders.
He is always looking for shortcuts,
more interested in the roadside signposts
than in the landscapes that have made me.
The line he wants me confined to
is an analytically recognizable category:
landed immigrant. My history is meticulously stamped.
Now, you're legally a landed immigrant.
Take a copy of A Newcomer’s Introduction to Canada.


Broken/Breaking English: Selected Poems of Chen-ou Liu

Note: A Newcomer’s Introduction to Canada was written and issued by Citizenship and Immigration Canada to give new immigrants helpful information for planning ahead, but it is not a detailed guide. For more information, they will be given another book called Welcome to Canada: What You Should Know. It contains specific information on all the practical aspects of living in Canada.

Tuesday, March 15, 2011

Ways of Reading

I remember
the first time
I read poetry
in English

letters grouped themselves
in a random way
pot and pat
were two different words
though they looked
almost the same to me

words like sex
fixed their gaze at me
others like death
made me sit still

between the lines
lay a semantic gap
from one stanza to the next
there was an emotional void

eight years passed
I realized
to read is to be read

I remember
the first time
I read poetry


Jan/Feb 2011 issue of Sketchbook

Saturday, March 12, 2011

The Dream of a Struggling Poet

morning by morning
I see the same old face
in the mirror

hours upon hours
I write and rewrite a poem
that grows old

night after night
I go to bed exhausted
with a dream deferred

weekly routine
the garbage man collects
my unpublished poems

months gone by
gray hairs pop up
on my head

year's end
I step into the same river
twice

New Year
the same phoenix flaps its wings
in my dream


Jan/Feb 2011 issue of Sketchbook

Tuesday, February 1, 2011

Poet's Dream

failing
to be a hunger artist
I stumble
around the mansion of words
from room to room
hunting poems to eat

crawling
out of the boarded up window
I am lucky to find
a thousand blank verses
dangling on the lower tip
of a crescent moon


Shot Glass Journal, 3

Thursday, January 27, 2011

We Are Haunted by Names

Living on Ilha Formosa,
we are haunted by a war of Names,
fighting for the Republic of China/Taiwan.
We Chinese, we Taiwanese
will never end our civil war,
a bloody bloodless civil bore.

No Kamikazes crashing,
no Dr. Luther King murdered.
To Uncle Sam and Brother Momotaro,
We are the good soldiers.
Lacking the ghosts of History
we are haunted.


Winter 2010 issue of Rust+Moth

Thursday, January 20, 2011

Night Colors

in the black heart of night

I lie in bed fretting over
blue injuries of the past

bobbing up and down
in the white ocean of time
my mind drifts towards ...

the edge of this gray world


Winter 2010 issue of Rust+Moth.

Wednesday, December 29, 2010

The Birth of a Hunger Artist

East is East, West is West
the twain do not meet
but collide with each other
inside the debris
a not-so-Concrete poem
is stillborn
Father's wisdom
in the corner of my mind
rings more true now
a Chinese Ideograph is worth
ten-thousand English words
the picture of a bird and a mouth
means enjoying the birdsong
the picture of a child and a mouth
tells you to scream
a change in one object
creates a New World
but, how about
the picture of a poet and a mouth
Father gives me the Bodhisattva stare
murmuring the art of hunger

Magnapoets, #7

Monday, December 27, 2010

Feel the Width of the Sky

the length of yearning
is an ocean long
I measure
with its dewy arm

the size of loneliness
is ten by ten (square feet)
I commune
with its dark eyes

above my attic, hunger moon
smells like a rotten orange
inside my head, yesterday
whispers a thousand falling petals


Anthologized in Island Mists published by Poetry Institute of Canada