Chen-ou Liu's Translation Project: First English-Chinese Haiku and Tanka Blog

Wednesday, March 25, 2026

Monday, March 23, 2026

Redwood Hike Haiku


My haiku is now on display in Washington DC's Golden Triangle as part of the 2026 Golden Haiku Competition.

Sunday, March 22, 2026

Another Snowstorm Tanka

another snowstorm …
in a world of one color
I watch passersby
each of us drifting
alone together



Added: 

a gray-haired man
slumps against the alley wall
behind a tavern
clouds of his breath rise
and drift into the dark


Added:

red tip of a cigarett
between missile sirens --
darkness among stars


Added:

between sirens  
the moonlit alley holds  
a stray’s cry


Added:

in silence
I rehearse my script again
outside the job fair
daffodil heads peek out 
from a patch of snow


Added: Trump Empire, Inc, LXXXVIII

first "pop, pop, pop"  
then lies layered with cement ...
ICE on the beat


Added: Trump Empire, Inc, LXXXIX

to camera lights
the peanut-brained man vows, 
"I bend to no one ..."
lineups snake at the pumps
and at food banks too


Added: No More Fairy Tales, LI

It’s March Weather

Hawaii floods and Alabama snows. In the Northeast, temperatures flip-flop daily while the West Coast burns under a red-hot heatwave. With the TV on mute, I stare through the window at the twilight, grey as ash.

coal-soot haze rests
on scattered farmhouses
Four More Years askew

Saturday, March 21, 2026

An Immigrant Poet's Reflection on Writing the Suffering of Others

"Merely to say, to see and say, things 
as they are,” grows loud ... and louder in a corner of my mind as moonlight slants through the study window.

[decades-long
inhuman occupation compressed]
to one-day attacks
reponding with the red glow
of missiles in Gaza's night sky

this endless loop:
October 7, October 7 ...
[and yet
the decades BEFORE
and the day AFTER] bloodshedding

each bombed-out house:
an album with no photos
but with people
living, wounded and dead
pressed between its pages

anything new
under Gaza's smeared sun?
smoky rubble
beyond smoky rubble, and yet
again smoky rubble

I etch each pain with a borrowed tongue, then every word becomes a betrayal; but all the silence will turn into a heart wound. Turning my gaze from writing, then looking out the window at the moon, its fullness, I mutter, "what is the use of useless poetry when it cannot stop the killing?"

Friday, March 20, 2026

Give me your tired, your poor ...

the Stars and Stripes
in my migrant friend's wrinkled eyes
the spring that once was

American dream
somewhere over the rainbow
detention camps

A group of protesters, mostly gray-haired, gathers at the steps of the Statue of Liberty. They reclaim this public space as a site of memory and denunciation. Helped by her granddaughter, a civil rights activist reads out loud, one by one slowly, the names of the unlawfully disappeared.

Each name is a breath of life , a wound of heart, and most importantly, a warning for the country whose "greatness" will be built on the silence of everyday Americans.

Editor's Choice, Cattails, October 2025


Commentary: Chen-ou Liu is again another artiste who shows us that only in asking will we find the path— that only by daring can we truly reclaim what we have lost. He tells us of a history that is easily forgotten and warns us of what is, and what is in the coming. The prose is stark, focussing on the intergenerational emotion that resonates with freedom. As I read this over and over again, it dawned on me that in writing, Chen-ou dares us too. It is at once a warning and a beseeching. The haiku are placed at the beginning—a necessity to draw our attention to the immediacy of the moment.


FYI: The title refers to the most famous inscription on the Statue of Liberty, "The New Colossus," a sonnet by Emma Lazarus.

Thursday, March 19, 2026

Winter Dawn Tanka

the warmth left
by my late father's hand
holding mine ...
half asleep and half awake
to this false winter dawn

Monday, March 16, 2026

Cinematic Fray Tanka

for the 98th Oscars ceremony

in dim light
battle after battle …
muffled cries
screams, laughter, clapping hands
in this cinematic fray



FYI: L2 is a thematic and emotional play on the title of Paul Thomas Anderson’s comedic political thriller, One Battle After Another, a major movie with 13 nominations and six wins including Best Picture.


Added: Politics of Distraction, II

The Czech Shopkeeper Story Re-told

A row of neon shop windows in Washington, D.C., each holding a full moon. Above the doorframe hangs a sign: "Prices are stable. Everything’s fine."

fireball-lit sky
the reach of winter night
over Tehran


FYI: The title alludes to the parable of the shopkeeper (or greengrocer) in Václav Havel's 1978 essay “The Power of the Powerless: Citizens Against the State in Central Eastern Europe,” where a shopkeeper posts the slogan “Workers of the world, unite!” to signal obedience to the system; such everyday rituals help sustain political lies.

This is a sequel to the first entry of  Politics of Distraction

oil-dark clouds
hang heavy over Tehran —
reporters squint
at row after row of black bars
in Epstein’s redacted files


(FYI: Politics of Distraction is my new writing project. The title is taken from Al Jazeera: February 26, 2026: Epstein and the politics of distraction

Scandal individualises corruption, creating a spectacle that redirects anger away from structural power)


Added: Politics of Distraction, III

Ramadan moon
sliced by one jet's contrail
after another
ink-dark columns rising
from tankers near Hormuz


Added: Against the Drowning Noise of Other Words, CCLXXXVII: "Ramadan sunset"

the last glow
of Ramadan sunset —
fingers lick hummus 


Added: 

Make Love, Not War...
candles in drifting snow
flicker, yet hold


FYI: "Make love, not war" is a legendary 1960s counterculture slogan advocating for peace, love, and sexual liberation over violence and conflict, primarily opposing the Vietnam War.


Added:

our street overflows
with dogs, laughter and snow balls
first day of March break


Added:

snow on snow ...
the shadow curls up
with me


Added:

a raven settles
on the burnt olive branch—
winter deepens


Added:

both sides
of a border crossing
honking geese

Sunday, March 15, 2026

Saturday, March 14, 2026

Geese and Migrants Haiku

Canada geese
gathering, parting... and yet
these farm migrants

Haiku Canada Review, 19:2, 2025

Shooting Star and American Dream Haiku

a shooting star
over the border wall
American dream, and yet ...

Haiku Canada Review, 19:2, 2025

Thursday, March 12, 2026

Yawp of "USA!" Tanka

a lament for Walt Whitman's America

to cameras
no, more wars! the chant
echoes, echoing
around the Congress chamber
swelled with the yawp of USA!



FYI: The joshi (prefatory note), “a lament for Walt Whitman's America,” serves as the thematic anchor of the tanka. By invoking the “barbaric yawp” from Song of Myself by Walt Whitman, the tanka establishes a pointed irony: what Whitman envisioned as a raw, soulful cry of individual liberation and democratic vitality has here been transformed into a partisan, nationalistic roar.

And For more about the use of "joshi," see "To the Lighthouse" post, "Joshi (Prefatory Note) as a Poetic Device."

Wednesday, March 11, 2026

Writing Gembun

written for Richard Bach and Robert Frost

A cursor blinks in the white of my screen.

darkness pools around stars
words I never said
words I never sent



FYI: Below are two of my favourite remarks on writing:

A professional writer is an amateur who didn’t quit. 

-- Richard Bach

And

Every time a poem is written, every time a short story is written, it is written not by cunning, but by belief. The beauty, the something, the little charm of the thing to be, is more felt than known.

-- Robert Frost


Added: I just found this "reading, writing and human connection" remark:

These days, it’s easy to feel that we’ve fallen out of connection with one another and with the earth and with reason and with love. I mean: we have. But to read, to write, is to say that we still believe in, at least, the possibility of connection.

George Saunders, A Swim in a Pond in the Rain: In Which Four Russians Give a Master Class on Writing, Reading, and Life, 2021.

Tuesday, March 10, 2026

Coal-Soot Haze Haiku

No More Fairy Tales, XLIX

coal-soot haze hangs 
over a field of farmhouses
Four More Years crooked



FYI: This haiku could be read as a sequel to mine below:

clean coal billboard ...
a fork-tongued thought 
darkens the night



Added: No More Fairy Tales, L

rows of wind turbines
a field of prairie grass
bends in twilight


FYI: This haiku could be read as a sequel to my tanka below:

No More Fairy Tales, XLVIII

COP30:
more fossil fuels
or green energy?
a question smeared in ash
from the burned Amazon



Added: Trump Empire, Inc, LXXXVI

in gold-color
Trump holds Epstein’s stretched arms
from behind
on the National Mall:
King of the World Statue


Added: Trump Empire, Inc, LXXXVII

the peanut-brained man
behind the Resolute Desk
grins to cameras,
"just a little excursion"
oily clouds over Tehran


Added:

billows of smoke
from Beirut neighborhoods ...
the war chief vows,
we will take the territory 
block by block, street by street


FYI: Haaretz, March 13 2026:  Defense Minister Israel Katz said Thursday morning that he had "warned" Lebanese President Joseph Aoun following Hezbollah fire toward Israel. "I warned the president of Lebanon that if the Lebanese government cannot control the territory and prevent Hezbollah from threatening the northern communities and firing at Israel – we will take the territory and do it ourselves," Katz said. 


Added: Politics of Distraction, I

oil-dark clouds
hang heavy over Tehran —
reporters squint
at row after row of black bars
in Epstein’s redacted files


FYI: Politics of Distraction is my new writing project. The title is taken from Al Jazeera: February 26, 2026: Epstein and the politics of distraction
Scandal individualises corruption, creating a spectacle that redirects anger away from structural power.

Monday, March 9, 2026

Neon Motel Sign Haiku

neon motel sign
the sound of a bottle kicked
down the rain-washed road

hedgerow, 150, 2025

Sunday, March 8, 2026

Other Side of Mother Haiku

written for International Women's Day

a box of letters
beneath the attic lamplight
other side of Mother



FYI: For more poems about International Women's Day, see "Special Feature: Selected Poems for Reflections on Many Faces of Womanhood"

Saturday, March 7, 2026

Grandfather Clock Haiku

chiming, chiming
of the grandfather clock
silence of missing home

Time Haiku, 63, 2025

Friday, March 6, 2026

Blossom Rain Haiku

why this, why that ...
my three-year-old daughter
in blossom rain

Time Haiku, 63, 2025