Chen-ou Liu's Translation Project: First English-Chinese Haiku and Tanka Blog

Showing posts with label the Pacific. Show all posts
Showing posts with label the Pacific. Show all posts

Thursday, July 2, 2026

Seashell Haiku

 

Commentary by The Solitary Daisy Columnist, Sean B. Wright.

This is a resonant, memory-laden haiku that uses a familiar sensory gesture to evoke distance, identity, and longing. The opening line, “years in exile,” establishes a wide temporal and emotional horizon, suggesting separation from homeland, endurance over time, and a life shaped by displacement. It is a heavy and somewhat abstract beginning, but it clearly sets the stakes and frames how the reader approaches the image that follows.

The phrase “a Pacific seashell” grounds the poem in something tangible while also expanding its scope. The specificity of “Pacific” is important—it evokes not just a place, but an entire ocean, compressing vast geography into a small, handheld object. The shell becomes more than an object; it carries with it the weight of memory, origin, and possibly the speaker’s lost or distant home.

The final line, “held to my ear,” completes the image with a simple, familiar gesture. This act of listening to a seashell is almost universal, often associated with childhood curiosity, but here it takes on a more poignant dimension. It becomes an attempt to recover something distant, to hear again what has been left behind. The sensory immediacy of this action contrasts effectively with the abstraction of exile in the opening line.

What gives the haiku its strength is the juxtaposition between the abstract condition of exile and the concrete, intimate act of holding the shell to the ear. The seashell functions as a bridge between past and present, between homeland and current place, and between memory and physical sensation. The implied “sound” of the ocean—whether real or imagined—becomes a stand-in for what has been lost, or at least what cannot be directly accessed.

The tone throughout is reflective and gently elegiac. There is a quiet ache present, but it is restrained; the poem does not state its emotion outright, instead allowing it to resonate through the image. Sonically, the poem is unobtrusive, the sibilant s sounds in Pacific and seashells echo the sea’s quieter movements.

Overall, this is a thoughtful and evocative haiku in which a simple, tactile action carries deep emotional resonance. The seashell becomes a conduit for memory and belonging, compressing vast distance into a quiet, intimate moment. While the opening leans toward abstraction, the image that follows sustains and deepens the poem effectively.

Thursday, January 30, 2025

(M)otherland Tanka

years in exile ...
moonlight rippling
the Pacific,
this narrow path
to the (M)otherland

First Place, Tanka, 2024 San Francisco International Competition

Commentary: This tanka has every quality of tanka that I love. It is lyrical, has mystery, and is especially creative in its use of language. It stands out, of course, for the parenthetical (M).This unusual element draws attention to multiple meanings, and is subtle and powerful. What can be closer than the mother, and yet estrangement, by geography, emotion, or rules, is heartbreaking. And the long narrow way back, in the night, traveling by moonlight, is very moving and speaks to all the separations and current difficulties our hearts are dealing with in our current affairs... excerpted from the judge's comments


FYI: FYI: This tanka could be read as a sequel to the following tanka and tanka sequence:

alone again
on the Pacific shore ...
winter moonlight
forming a narrow path
to the land I left behind



In Taipei, I still long for Taipei

ten years past
and alone in the moonlight
I have changed
and my hometown has changed
but we haven't changed together

I try to change
this idea of my hometown
people pass me by
with their eyes speaking in a code
that is foreign to me

the vendor asks,
are you from mainland China?
the look in his eyes
speaks the language
of a border guard

this journey
back to my hometown
ends 
with another one
on the road of no return




And I also won two honorable mentions of the tanka category:

a flock of geese
through the shelter window
a deaf veteran
touches again and again
the sound of home


Commentary: In this tanka, I love the mix of senses, and powerful elements. A "flock of geese" commands our attention even without the rush of sound that is inherent in it. And the lone veteran who sees, cannot hear but "feels" it. The action brings to heart the reasons for the deafness... and separation from the flock... excerpted from the judge's comments


Thanksgiving moon
sparks on the rippling water
of Lake Ontario ...
from his cupped, calloused hands
a migrant's taste of home


Commentary: This timely tanka brings out all our feelings of the questions of the heart of our times. Drinking the waters of home with gratitude and the work to reach this point of reunion are all held in the beautifully formed visually satisfying tanka for us to taste... excerpted from the  judge's comments

Sunday, December 1, 2024

Pacific Shore Tanka

alone at twilight
on the Pacific shore ...
wave after wave
lapping at the edge
of my immigrant dream

Tuesday, November 26, 2024

Immigrant Dream Haiku

Pacific wave after wave

               what's left

                            of my immigrant dream

Saturday, November 26, 2022

Ebb and Flow Haiku

ebb and flow
of Pacific waves ...
years in exile

International Haiku Plaquette Project, November  2022


Chinese Translation 

太平洋
的海浪潮起潮落…
流放多年

Spanish Translation by Jorge Alberto Giallorenzi 

flujo y reflujo
de las olas del pacífico
años en el exilio






Wednesday, August 17, 2022

Thursday, April 28, 2022

Pacific Shore and My Chinese Name Tanka

in fading light
on the Pacific shore
I finger-write
my Chinese name in the sand
and watch it wash away

Ribbons, 18:1, Winter 2022

Friday, September 17, 2021

An Illegal Alien

A shadowy silhouette waves his finger at me, saying with a grim smile, “Give up your poet dream. I’ve been writing poetry since you were swimming in your daddy’s balls. Daydreamer!”

“My father never thought I could swim across the border between linguistic solitudes,” I murmur to myself . . . “He never believed I could emigrate from ideogram to alphabet.”

the scars
on body and mind
from my battles
against this inner noise ...
Pacific waves lapping blue 
 

Tuesday, October 13, 2020

Pacific Breeze Tanka

a Pacific breeze
brushing across my face
I breathe in
the scent of my mother,
an ocean away


Atlas Poetica, 40, 2020

Sunday, March 1, 2020

Ink-Dark Silence Tanka

her airplane
blinks in the winter sky
across the Pacific
our love now stretched
through ink-dark silence


Atlas Poetica, 38, 2019

Thursday, February 27, 2020

Immigrant Life Tanka

Pacific waves
break in steady rhythm . . .
one year
after another missing
from my immigrant life

Atlas Poetica, 38, 2019

Sunday, October 27, 2019

Selected Tanka: Narrow Path Tanka

alone again
on the Pacific shore ...
winter moonlight
forming a narrow path
to the land I left behind

Cattails, September 2016

Tuesday, October 15, 2019

Ten-Year Exile Tanka

the rise and fall
of these Pacific waves  --
a ten-year exile
from my country
and from my self

Atlas Poetica, 37, 2019

Sunday, August 25, 2019

Distance of Love Tanka

Pacific waves
rise and crest, roll and fall
into themselves ...
the distance of love
between mother and me

Bear Creek Haiku, 155, 2019