Chen-ou Liu's Translation Project: First English-Chinese Haiku and Tanka Blog

Showing posts with label award. Show all posts
Showing posts with label award. Show all posts

Tuesday, September 15, 2026

Icicles Tanka

moonlight
dripping from icicles
in pulses
this silence echoes
weeks without you

Tanka Award Winner, Time Haiku, 64, 2026


FYI: The prize is £40 ($USD 54)😍

Saturday, August 15, 2026

Summer Grass Haiku

summer grass
on both sides of the border
rusted helmets



FYI: For a detailed analysis of this "structurally allusive" haiku (in relation to Basho's), see Poetic Musings: Summer Grass Haiku

summer grass
all that remains
of warriors’ dreams

Matsuo Bashō,  written at the Hiraizumi battlefield in 1689

Friday, April 17, 2026

Between Earth and Sky Haiku

blossom rain
between earth and sky
somehow, us

Grand Prize, Sharpening the Green Pencil Haiku Contest, 2026


Commentary by the judge, Scott Mason: These eight words I find imbued with wonder and a palpable sense of gratitude. What could be more glorious than a shower of petals? Well, perhaps the miracle of our own improbable being and the gift of our capacity to appreciate not just blossoms but blessings. Here we stand in the best of both worlds: feet firmly planted on precious ground, heads and hearts in the sky. How this poem uplifts me!

Saturday, January 31, 2026

Calligraphy of Swifts Haiku

blank screen glow...
the calligraphy of swifts
in a paper-white sky

Third Place, the Irish Haiku Society International Haiku Competition 2025 

Friday, January 30, 2026

Climate Change and Garden Snail Tanka

eve of a deadline                             
for the climate change report ...
from this blank page
I gaze out at a garden snail
who sets its own pace

Honorable Mention, Tanka, 2025 San Francisco International Competition

Judge's Commentary: Once again, a tanka that shifts seamlessly from the human world to nature. The specificities of “climate change report,” “blank page” and “its own pace” heighten the effect. We, too, have the stress of deadlines to control and change the damage we have done to the environment. Nature, represented by the snail, moves at its own pace. This observation of the humble snail will perhaps inspire the writer to move forward.

Thursday, January 15, 2026

Ulysses Butterfly Tanka

shadowing
a Ulysses butterfly
to this mountain trail
of many twists and turns ...
at last Time leaves me alone

Honorable Mention, 2025 Fujisan Tanka Contest

Japanese Translation:

幸運の瑠璃蝶追いて山道をゆけども時間にとり残されて


FYI: For detailed comments, see Poetic Musings: Ulysses Butterfly Tanka by Chen-ou Liu

...The tanka frames pursuit as a meditative act, with the speaker “shadowing” a Ulysses butterfly whose vivid, elusive flight draws attention away from the self and into motion. ...

Friday, December 5, 2025

Trade War News Haiku

trade war news
a spiderweb on the eaves
sagging with raindrops

Prize Winner, 27th Haiku International Association/HIA Haiku Contest


Judge's Commentary: The first line is clearly topical, a concern of the moment, while what follows is natural, observed. The spider’s web is, I imagine, on the eaves outside the poet’s house, where the heavy raindrops gather and threaten to destroy it. The web is the spider’s lair and means of existence, yet one that may soon give way. Our lives too are delicately wrought, and may be easily disrupted. In the meantime we can admire the light refracted in the glittering raindrops, before they fall. I note the syllable count of 3-7-5.

Wednesday, December 3, 2025

Gazan Baby's Face Haiku

first frost …
a Gazan baby’s face
in pixels



FYI: Judge's Comment: The first sign of winter is juxtaposed with a baby in Gaza, likely seen under terrible circumstances. Pixels are the tiny units – or pieces (a shadow word, surely) – that make up a digital image. News is always to hand, refreshed continuously if we choose to look, but the devices we use can make us feel remote, less empathetic. The author’s intent (to me anyway) is unclear, which adds another layer of interest.


My Response:

The emotional force of this haiku depends largely on the relationship between Ls 2&3. Without L 3, “a Gazan baby’s face” functions as a direct image of suffering. But L 3 — “in pixels” — radically reframes the image. It reveals that the speaker is not physically present with the child, but encountering the face through a screen: a phone, livestream, news clip, or social-media feed. 

That shift opens several layers of meaning.

1. Mediation and distance

“In pixels” foregrounds the technological mediation of suffering. The child reaches the speaker only as digital light — fragmented image-data transmitted across distance. The haiku creates tension between intimacy and separation: the immediacy of a baby’s face contrasted with the remoteness of screen-based witnessing.

The haiku quietly asks what it means to experience catastrophe through technology rather than direct human contact.

2. Fragmentation and dehumanization

Pixels are the tiny units that collectively simulate reality. Ending on “pixels” subtly suggests how modern tragedy is consumed as image — fragmented, streamed, and reduced to visual information.

L 3 therefore carries an implicit critique of contemporary spectatorship: human suffering risks becoming just another flow of digital content.

3. The contrast with “first frost” in L 1

The juxtaposition with “first frost” is crucial. Traditionally, first frost evokes seasonal transition, stillness, delicacy, beauty, and coldness. Placed beside the image of a Gazan baby, the frost acquires moral and emotional overtones: emotional numbness, chilling distance, fragility of life, even the cold glow of screens.

The ellipsis after “first frost …” deepens this effect by creating a suspended pause before the intrusion of geopolitical reality.

4. Why “in pixels” works

The restraint of “in pixels” is precisely what gives the haiku its force. It avoids overt political rhetoric, graphic imagery, and explicit emotional instruction. Instead, L 3 quietly transforms the haiku from simple observation into a meditation on mediated witnessing in the digital age.


And this haiku is a sequel to mine below:

Against the Drowning Noise of Other Words, CLXXXVIII: "A Gazan baby"
written in response to Haaretz, May 20, 2025Opposition MK Says Israel Risks Pariah Status, 'Sane State Doesn't Kill Babies as Hobby'

a Gazan baby
the glitter 
in a sniper's eye

Thursday, November 6, 2025

Collapsed School Wall Haiku

collapsed school wall
a butterfly
in shades of charcoal

First Place, 2025 Porad Haiku Award

Commentary by the judge, Jacquie Pearce: The poet approaches this heavy topic carefully, with concrete details and restraint. The “collapsed school wall” could be a bombed school in Gaza or Ukraine, and it could also represent other types of attacks on schools, learning, and children’s feelings of safety, even in North America. For me, the image of the butterfly also alludes to nature overlooked as human acts of destruction are carried out (the poem also takes on the visual shape of a butterfly when it’s centered). The butterfly, presumably drawn by a child, contrasts poignantly with the medium of charcoal scavenged from ashes and applied to a collapsed wall, as does the adult world of war/politics/destruction and the child’s natural inclination to play and create. We feel a vulnerability and fragility in the image of the butterfly and the alluded-to child. Yet we also sense resilience, bravery, and hope.


Author's Note: The bombed school is located in Gaza. This haiku could be read as a sequel to my haiku below:

Against the Drowning Noise of Other Words, LXXXIV: "Palestinian poppies"

slanted moonlight
on a half-collapsed school wall
chalk poppies bloom

reprinted in 2025 HSA Membership Anthology


FYI: "The Palestinian poppy (Anemone coronaria) is a non-official but more recognizable national symbol of Palestine. It's red, with black center and green leaves, evoking the primary colors of the Palestinian flag. And it symbolizes the relationship between Palestinians and their land, the bloodshed they have endured, as well as their resistance against Israeli occupation."

United Nations Press Release, April 18, 2024UN experts deeply concerned over ‘scholasticide’ in Gaza

And Democracy Now, Jan.6, 2025: American Historical Association Votes Overwhelmingly for Resolution to Oppose Scholasticide in Gaza

The American Historical Association, the oldest learned society in the United States, has adopted the “Resolution to Oppose Scholasticide in Gaza,” condemning Israel’s “intentional effort to comprehensively destroy the Palestinian education system.” 


Added: Against the Drowning Noise of Other Words, CCXLVII: "blood-stained Christ's thorns"

a skeletal house
amidst debris and shards of pots
blood-stained Christ's thorns


FYI: "Euphorbia milii, the Christ's thorn , also known as the crown of thorns, is a pretty succulent plant that can bloom almost year-round, even indoors. According to a religious legend, the crown of thorns worn by Jesus Christ at the crucifixion was made from the stems of this plant, therefore its common name...It thrives in bright light, requires minimal watering, and is highly drought-tolerant, making it easy to care for."

Friday, August 1, 2025

Exile Haiku

tenth year in exile ...
wave after wave rinsing
my shadow

Fourth Prize, New Zealand Poetry Society International Poetry Competition 2025

Comment by the Judge, Scott Mason: The persistent “otherness” commonly felt by an exile finds a poignant natural correlate in this poem. As the years come and go, the beach waves continually advance and recede; yet they can never wash away the protagonist’s physical shadow, nor the felt sense of a shadow existence when separated from one’s “true” home—perhaps a home located on the other side of the ocean from where he or she now stands. [I’m reminded here of Dante: “You shall find out how salt is the taste of another man’s bread” (Paradiso XVII)]

Monday, April 21, 2025

Edge of Peace Haiku

ramadan moon
behind skeletal houses
the edge of peace

Third Place, The Solitary Daisy Annual Haiku Contest, 2025

Wednesday, February 12, 2025

Winding Journey Tanka

the winding
journey to meet love
at each turn
on this mountain road
my shadow ahead of me

外国語短歌佳作 (Honorable Mention), 2024 Fujisan Tanka Contest

Japanese Translation:

曲折の旅まがる度愛に逢ふこの山道に吾の影先をゆく



FYI: I wasn't notified last year of the results of the 2024 Fujisan Tanka Contest, but found out them yesterday via the Tanka Society of America's (@OfTanka's) Feb. 10 post on X.

Thursday, January 30, 2025

(M)otherland Tanka

years in exile ...
moonlight rippling
the Pacific,
this narrow path
to the (M)otherland

First Place, Tanka, 2024 San Francisco International Competition

Commentary: This tanka has every quality of tanka that I love. It is lyrical, has mystery, and is especially creative in its use of language. It stands out, of course, for the parenthetical (M).This unusual element draws attention to multiple meanings, and is subtle and powerful. What can be closer than the mother, and yet estrangement, by geography, emotion, or rules, is heartbreaking. And the long narrow way back, in the night, traveling by moonlight, is very moving and speaks to all the separations and current difficulties our hearts are dealing with in our current affairs... excerpted from the judge's comments


FYI: FYI: This tanka could be read as a sequel to the following tanka and tanka sequence:

alone again
on the Pacific shore ...
winter moonlight
forming a narrow path
to the land I left behind



In Taipei, I still long for Taipei

ten years past
and alone in the moonlight
I have changed
and my hometown has changed
but we haven't changed together

I try to change
this idea of my hometown
people pass me by
with their eyes speaking in a code
that is foreign to me

the vendor asks,
are you from mainland China?
the look in his eyes
speaks the language
of a border guard

this journey
back to my hometown
ends 
with another one
on the road of no return




And I also won two honorable mentions of the tanka category:

a flock of geese
through the shelter window
a deaf veteran
touches again and again
the sound of home


Commentary: In this tanka, I love the mix of senses, and powerful elements. A "flock of geese" commands our attention even without the rush of sound that is inherent in it. And the lone veteran who sees, cannot hear but "feels" it. The action brings to heart the reasons for the deafness... and separation from the flock... excerpted from the judge's comments


Thanksgiving moon
sparks on the rippling water
of Lake Ontario ...
from his cupped, calloused hands
a migrant's taste of home


Commentary: This timely tanka brings out all our feelings of the questions of the heart of our times. Drinking the waters of home with gratitude and the work to reach this point of reunion are all held in the beautifully formed visually satisfying tanka for us to taste... excerpted from the  judge's comments

Saturday, August 10, 2024

Empty Troop Trains Haiku

snowonsnow...
the clink clang clunk
of empty troop trains 

Commended,  New Zealand Poetry Society’s International Poetry Competition, 2024

Tuesday, April 30, 2024

Border Checkpoint Haiku

border checkpoint
I leave my past and shadow
behind the red line

First Place, Fifth Annual Mukai Haiku Festival Awards, 2024


FYI: My haiku will be displayed on the grounds of Mukai Farm & Garden throughout late April and May.



Thursday, April 18, 2024

Prayer Flags Haiku

a string of prayer flags
holding the night breeze
… letting it go

Second Place, Maya Lyubenova International Haiku Contest , 2024

Friday, April 5, 2024

Wednesday, March 20, 2024

Late Wife Haiku

end of the season
eyes closed I see my late wife
among rose blossoms



FYI: The 20 winning haiku, presented by The Downtown Tucson Partnership (DTP) together with the University of Arizona Poetry Center,  are now on display in Downtown Tucson. from March 19 - June 1, 2024. Click on the numbered points in the map on the webpage to read each poet's haiku, and my winning haiku is number 19.



Wednesday, January 31, 2024

Toy Soldiers Haiku

toy soldiers
in my son's attic box ...
Veterans Day

Commended, 2023 Gloucestershire Poetry Society Haiku Competition
Published in Steel Jackdaw, Edition 13